From October 13-15 Choir Days at Flagey in Brussels features David Lang’s music throughout the festival, including the Belgium premiere of Lang’s we were (co-commissioned by Flagey) performed by Vox Clamantis with conductor Jaan-Eik Tulve.
Read MoreEuropean premieres
prisoner of the state
David Lang, libretto/music
Elkhanah Pulitzer, director
Cast:
Claron McFadden — the assistant
Davone Tines — the jailer
Alan Oke — the governor
Michael Wilmering — the prisoner
(in Bochum, Rotterdam, and Bruges)
Jarrett Ott — the prisoner
(in Malmö and Barcelona)
David Lang’s prisoner of the state—co-commissioned by the New York Philharmonic, De Doelen, Barbican Centre, L’Auditori, Bochumer Symphoniker, Concertgebouw Bruges and Malmö Opera – premiered in June 2019 with the New York Philharmonic, conducted by Jaap van Zweden, and received its British premiere in January 2020 at the Barbican Centre in London with BBC Symphony Orchestra, BBC Singers and conductor Ilan Volkov…
Read MoreFrom July 1-3 at Bard SummerScape David Lang and choreographer Pam Tanowitz premiere a new evening-length work, entitled Song of Songs. A hymn of yearning, steeped in images from the natural world, the dance was commissioned by The Fisher Center at Bard College, and the music was co-commissioned by The Fisher Center with LA Opera, The Company of Music (Austria), The Crossing (Philadelphia), and Flagey (Brussels). The program pairs Lang’s 2014 work just (after song of songs) with three vocal works composed and premiered over the past two years: let me come in, the sense of senses, and we were…
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David Lang, ‘again (after ecclesiastes)’
June 14, 2022 10:35 AM ET
Tom Huizenga
David Lang‘s again (after ecclesiastes) opens with sections of the Cappella Amsterdam choir, from high to low, interlacing on the phrase “People come and people go / The earth goes on and on.” The words are from Ecclesiastes, a curious book of The Old Testament that reads more like a philosophical argument than a rousing validation of belief…
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“[the writings] are enchanted unaccompanied choral pieces, jewel-like in their crystalline beauty and performed with just the right degree of gentle detachment by Cappella Amsterdam.”
— Andrew Clements, The Guardian
Conductor Daniel Reuss and Cappella Amsterdam’s premiere recording of David Lang’s a cappella cycle the writings is now available on Pentatone Records and all streaming services…
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In April and May, The Tallis Scholars premiered sun-centered, a work commissioned to share a program with Antoine Brumel’s monumental Missa “Et ecce terræ motus” — a Renaissance mass for 12 voices that gets its name from a scrap of chant whose text means ‘and the earth moved.’
Lang describes the connection:
This scrap of text immediately reminded me of Galileo’s trial for the blasphemy of proving the Earth revolves around the Sun, which seemed to contradict the Bible…
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February 25-26, Eighth Blackbird premieres David Lang’s composition as explanation at Duke Performances. The new work is a nod to Gertrude Stein’s candid and circular 1926 lecture. Lang integrates composition and innovative aspects of theater, performance, and choreography. To create actors out of Eighth Blackbird, Lang sought out director Anne Bogart, co-artistic director of SITI Company. With Bogart at the helm, Lang envisions a new kind of musical artist, one with the formal training of actors on stage…
Read MoreOn October 13 the Nederlands Kamerkoor premieres the writings at the Muziekgebouw in Amsterdam. They perform the work in 5 additional Dutch cities through October 24 — click here for more details.
the writings — co-commissioned by Carnegie Hall for Paul Hillier and Theatre of Voices — combines some old and some new works into an hour-long piece:
·· again (after ecclesiastes)
·· if I am silent
·· for love is strong
·· where you go
·· solitary
You can click here to see the full score…
Read MoreLA Opera releases the latest in their online series “On Now”: David Lang’s let me come in features soprano Angel Blue, with conductor Bryan Wagorn, violist David Creswell, cellist Anja Wood, and percussionist Miles Salerni.
Co-commissioned by LA Opera and the Fisher Center at Bard College, this online premiere of let me come in is accompanied by a new film by filmmaker Bill Morrison …
Read MoreRecorded by Frode Andersen (accordion)
featuring Shara Nova (guest vocals on “I cross the field”)
The film premieres April 27 at the Moscow International Film Festival.
Soundtrack now streaming on all digital services
Conceived as a suite for a single accordion, David Lang’s soundtrack for the forthcoming Bill Morrison film (slated for theatrical release later this year via Kino Lorber) evokes a remarkable turn into folk traditions inspired by Russian storytelling…
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