a marimba consortium (Thomas Burritt and the University of Texas Percussion Program, Michael Burritt, David Cossin, Joseph Gramley, Eduardo Leandro, Todd Meehan, William Moersch, Doug Perkins, Steven Schick, Adam Sliwinski, Robert Van Sice)
David Lang is among 20 of America’s most vital artists working in the fields of contemporary dance, jazz and theatre announced by the Doris Duke Charitable Foundation (DDCF) as recipients of the 2013 Doris Duke Artist Awards.
The grantees include: • Anthony Braxton (Middletown, CT (New York, NY)• Billy Childs (Los Angeles, CA)• Ping Chong (New York, NY)• Kelly Copper (New York, NY)• Lisa D’Amour (New Orleans, LA and New York, NY)• DD Dorvillier (New York, NY and Paris, France)• Amir ElSaffar (New York, NY)• David Gordon (New York, NY)• Pat Graney (Seattle, WA)• Stacy Klein (Ashfield, MA)• David Lang (New York, NY)• Pavol Liska (New York, NY)• Rudresh Mahanthappa (Montclair, NJ)• John Malpede (Los Angeles, CA)• Miya Masaoka (Berkeley, CA and New York, NY)• Myra Melford (Berkeley, CA)• Tere O’Connor (Champaign, IL and New York, NY)• William Parker (New York, NY)• Elizabeth Streb (Brooklyn, NY)• Jawole Willa Jo Zollar (Tallahassee, FL and Brooklyn, NY)
Secrets Found Online, Shared Softly
David Lang’s ‘whisper opera’ Mines Truths From the Web
By WILLIAM ROBIN, August 2, 2013
Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17th-century operas, with their deus-ex-machina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle.
Historically, though, opera tended to avoid confronting the technological head-on…continue reading
Two weeks ago I received a sad email, telling me that the composer Donald Martin Jenni had died, from a long and painful cancer. My first thought was that I was sorry I had not kept in closer contact, my second was that I was surprised to read in his obituary that he had ended up in New Orleans, with a new life and an adopted family. His life had changed so much since I had known him. I had been a masters student of Martin's from 1978 to 1980 at the University of Iowa, and although we had stayed in touch after I left Iowa—we would send each other music and he would come visit whenever he was in New York—the second that he retired he vanished…continue reading
I had two jobs my senior year in high school—a music-related job and a film-related job. All these years later, both are on my mind, since I have been spending time in Los Angeles helping to promote Paolo Sorrentino’s new film Youth, for which I wrote the music.
I live in New York, but I grew up in Los Angeles, in Westwood, which is the neighborhood that surrounds UCLA. These days Westwood is a kind of anonymous shopping district, but in 1973, when I worked there, it still felt like a college town…continue reading