project
works

prisoner of the state (2019) 75'

soprano, tenor, baritone, bass; men's chorus; 2+pic.2.2(bcl).2+cbn/4.2[in C].2.0/timp/3 perc/strings

New York Philharmonic, de Doelen Concert Hall, Barbican Centre, l’Auditori, Bochum Symphony Orchestra, Concertgebouw Bruges, and Malmö Opera.

Program Note Libretto Recordings video rent music score preview More Info

works

The Carbon Copy Building (1999) 72'

music by Michael Gordon, David Lang and Julia Wolfe; Text by Ben Katchor

Cast: Ms, T, Bar, Bar/Ct; cl(bcl, cbcl, ssx)/perc/syn/egtr [all instruments and voices amplified]

Settembre Musica Festival and the city council of Turin, Italy, with additional support from the National Endowment for the Arts.

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love fail – arr. female chorus (2012, rev. 2016) 60'

Text by David Lang (after Lydia Davis, Marie de France, Gottfried von Strassburg, Béroul, Thomas of Britain and Richard Wagner)

SSAA chorus (or 8 solo women singers) playing simple percussion instruments

The Brooklyn Academy of Music’s 2012 Next Wave Festival, The International Festival of Arts & Ideas, The John F. Kennedy Center Abe Fortas Memorial Fund, The Center for the Art of Performance at UCLA, The Wake Forest University / Secrest Artists Series, and Hancher Performances at the University of Iowa

Program Note Libretto Recordings rent music score preview More Info

interviews

BOMB Magazine

December 1, 2012

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David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…

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