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David Lang is one of the most thoughtful composers working today. His music is consistently probing, emotionally urgent, strange, and beautiful. It is also getting simpler as the years roll on—a sign that the mind behind it is undergoing a kind of ritualistic purification. I’ve been obsessed with David’s music since I bought a recording by mail order of his piece cheating lying stealing when I was in high school, and I have written a piano piece called David Lang Needs a Hug…continue reading
London, United Kingdom
percussion quartet concerto 1+picc.2.2.1+cbn/18.104.22.168/3perc.timp.hp.pno/strings
Barbican Centre and Los Angeles Philharmonic
David Lang has been appointed as holder of the Richard and Barbara Debs Composer’s Chair for Carnegie Hall’s 2013–2014 season. Full details about the concert activities associated with his residency will be shared in late-January as part of Carnegie Hall’s full 2013–2014 season announcement. But we can reveal that a key element of his season-long appointment includes a special collaborative workshop in November 2013, offering commissioning opportunities for composers and chamber ensembles.
Creating New Music will invite several young composers and chamber ensembles to work together on the creation and performance of new works specially commissioned by Carnegie Hall…continue reading
Francine Prose9/13/2016 The Loser, David Lang’s beautiful and startlingly original opera, had its world premiere this month at the Brooklyn Academy of Music. Composed for a solo baritone, a chamber ensemble, and a concert pianist, the opera (Lang not only wrote the music but is also responsible for the libretto and the stage direction) has been adapted from the Thomas Bernhard novel of the same name—a book which, since its publication in 1983, has attracted an almost cultish following…continue reading
Secrets Found Online, Shared Softly
David Lang’s ‘whisper opera’ Mines Truths From the Web
By WILLIAM ROBIN, August 2, 2013
Opera and technology have long had an uneasy relationship. The one has always required the other — from the Baroque spectacle of 17th-century operas, with their deus-ex-machina gimmickry, to the stagecraft required to mount any contemporary production of Wagner’s “Ring” cycle.
Historically, though, opera tended to avoid confronting the technological head-on…continue reading
“Art songs have been moving out of classical music in the last many years,” writes composer David Lang. “Indie rock seems to be the place where Schubert’s sensibilities now lie, a better match for direct story telling and intimate emotionality.”
Lang’s death speaks, along with his work depart, is released on Cantaloupe music on April 30.
In death speaks — co-commissioned by Carnegie Hall and Stanford Lively Arts, and written for Bryce Dessner, Nico Muhly, Owen Pallett and Shara Worden — Lang explores art song with the help of a group of classically trained artists who made their careers in the indie rock world…continue reading
March 6 and 7, David Lang curates the 2015 New Music Dublin festival What?…Wow: David Lang’s Festival of Music.
Lang’s festival spans six concerts over two days including the Irish premiere of his man made, performed by the RTÉ National Symphony Orchestra with New York-based quartet So Percussion; the Irish premiere of Julia Wolfe’s Appalachia-inspired Steel Hammer, performed by the Bang on a Can All-Stars with Norwegian vocal ensemble Trio Mediaeval; and the world premiere of Michael Gordon‘s new work for the Dublin Guitar Quartet…continue reading