Although we all eventually face death, it’s a topic most avoid — except perhaps for philosophers, who explain it to our heads, and artists, who present it to our hearts.

Composer David Lang offers something for both head and heart — and goes one step further in his new song cycle, Death Speaks. Here, death is less a lofty concept than a personality.

“It isn’t a state of being or a place or a metaphor, but a person, a character in a drama who can tell us in our own language what to expect in the World to Come,” Lang wrote for the Carnegie Hall debut of the piece last year…

On February 8, in Benaryoa Hall, conductor Ludovic Morlot and the Seattle Symphony premiere David Lang’s first symphony: symphony without a hero, commissioned for the Seattle Symphony by the Lynn and Brian Grant Family. The 27-minute work is in one movement, with two related parts — two separate musical movements that are performed simultaneously: one heavy and oppressive and one light and hopeful. Lang explains that one doesn’t “really hear the light and hopeful music until the oppressive movement ends.”